“To Emily, your daughter. The cake was beautiful. I’m sure she loved—”
Victoria erupted.
She screamed—a guttural, unhinged scream that burst from her throat and pierced through the speaker.
“Oh, dear God, it can’t be eaten! You’ve killed my baby! You’ve killed my daughter, Grace!”
I dropped the knife.
“What are you talking about? Victoria, what’s in that cake?”
But she was already fumbling off-camera, knocking things over, shrieking Emily’s name like a wounded animal.
“Call her! Tell her not to eat it! Emily, my baby girl!”
The line went dead.
My world narrowed to the frantic pounding of my heart.
I dialed Emily’s number with trembling fingers.
It rang once, twice, then rolled to voicemail—her sing-song voice asking me to leave a message.
I tried again.
No answer.
I called Michael.
He didn’t pick up; he was likely in a conference room, his phone on silent.
I texted him in all caps: “EMERGENCY. CALL ME NOW. IT’S ABOUT EMILY.”
Nothing.
I called Victoria back.
It went straight to voicemail.
The apartment felt like a cage.
Pacing from the window to the kitchen island, I replayed Victoria’s scream over and over.
“It can’t be eaten.”
That could only mean one thing: the cake was not meant to be eaten by anyone—or it was meant for me.
The thought sent ice through my veins.
I remembered the card, that cloying note written