The room fell silent. I did not open my eyes, because I was no longer in the Hollingsworth mansion; I was in a dimly lit recital hall in Boston, twenty-seven years old, pouring my soul into the keys for a sold-out audience. The music swelled, and I let myself be carried away by it, my fingers dancing across the ivories with a fluency that surprised even me. All the pain of those lost years—the loss of my beloved Margaret, the long nights scrubbing floors, the loneliness of a life reduced to shadows—came pouring out through the music, transforming the Brahms into something raw and heartbreaking.